Summary and Critical Interpretation of "Paper(Catherine Lim)"
Posted by anjila | Posted in Critical Thinking , Intrepretation , Literature , Story , Summary | Posted on 4:38 PM
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John Milton is ranked very high in the history of English literature. He was man of having pure life. He is the second great poet after Shakespeare. He was a great learned man. He was also a heavy reader. Due to his heavy study, he his eye sight completely. To prove this, one of his note books contains pieces of writing taken from 80 famous writers- Greek, Latin, English, French, Italian, etc. At the same time, he was studying music.
Milton's work are basically divided into three parts. Firstly, he wrote his short poems such as L'Allegro (the happy man), IL Penseroso (the thoughtful man) . They are his political autobiography and other beautiful poems are Comus, Arcades, Lycidas(long pastoral elegy on death of a college friend). Secondly, he wrote mainly prose. Milton's prose works are bascically concerned with church's affairs, divorce and freedom. So they are not so interesting. Areopagitica is one such prose works of Milton. It is a speech for liberty of unlicensed printing (page 55). It deals with Milton's sincere belief in the importance of freedom of writing and the speech.
Lastly he wrote great poems: Paradise Lost, an epic in 12 books on the fall of man. It is great book of his life. It can be compared with almost all great epics of the classical and post classical. It contains hundreds of remarkable thoughts put into musical verse. Paradise Lost covers the whole universe including heaven and hell.
His another poem is Paradise Regained. It is a miniature epic in four books on the redemption(freedom) through Christ and his Samson Agonistes is a tragedy on the Greek model on the biblical episode. It describes Sampson's soul. In this way John Milton contributed too much in the field of literature. He is unique and great literary figure. He completely dedicated his life to encrich English literature by producing great works.
Once upon a time the lord Buddha was born as a little parrot. Unfortunately, the forest , in which he used to live was caught by a horrifying fire, Creatures of that forest found their lives in danger. They were trapped in the burning fire. But the little Parrot escaped from the forest and went to the direction of a river. As the matter of fact he was very sympathetic with the fellow creatures that were unable to escape. All of a sudden he thought of going to river and bringing water to put out the blazing fire. After all he constantly kept on going to the river and bringing about some drops of water on his wings. In course of time, he himself got injured. However, his attempt was constant. At that time, some of the devas (gods) were floating overhead in their clouds place of ivory and gold. They happened to look down. And they saw the little Parrot flying among the flames. They started laughing at the meaningless efforts of the little Parrot. But one of those gods turned into a golden eagle and went to the little Parrot. He suggested him not to make such insignificant attempts because his own life could be lost. The Parrot grew angry and replied that he didn't need suggestion rather he wanted some sort of corporation. The golden eagle got ready to help him so he began to weep. Stream after stream of sparkling tears poured from his eyes. Wave upon wave, they washed down like cooling rain upon the fire, upon the forest, upon the animals and upon the little parrot himself. Finally the lives of those suffered animals and birds were restored and peace and happiness was established. All of them rejoiced and the Parrot got the colorful feathers.
Recent experiments with chimpanzees suggests that certain animals cannot only learn individual symbols(in this case manual rather than vocal signs), but can also learn to combine them in ways reminiscent of sentences like Give me key. However, as far as we know, they cannot do certain things that all human beings can- they do not appear to be able to learn sign language without specific instruction, they cannot, on the basis of small number of elements and relations between them, create an infinite number of messages.
When linguists speak of the"creativity" of human language they are usually referring to these two characteristics. Anyone who knows a language is able, without specific instruction, to produce and understand utterances which have been heard before but which are possible within the system. You are using this ability wight now to read this blog, and you rely on it nearly every time you talk. Certainly, language does not include some fixed routines like greetings, farewells, and a wide variety of other relatively fixed utterances which function in society as gestures of group solidarity somewhat like mutual grooming of monkeys. But obviously human beings are not limited to such routines. The number of sentences possible in a human language is infinite in principle, for there is no limit on how long a sentence can be.
The creativity of language consists in this fact: The number of rules and elements in the system is finite, while the number and length of utterances the system can produce is infinite. In this respect, linguistic systems are somewhat like the number system. Given any number, one can always construct a larger number by addition or multiplication. In practice we are limited, of course, by space, time, memory, interest and many different factors, so that no actual sentence will ever be infinitely long. But what is important is that system has this potential.
Though the title seems funny, there is a serious message to give to the reader that in spite of confronting so many odds at Princeton, he learned a great deal about interrelated subjects of pure science. While detailing the episodes of the ways he was embarrassed by the management of the school, he feels as if he were joking not with others but with himself. Despite doing so many types scientific researches, he showed no interest in verifying even some of the tests of spiritual belief while at the school.
New criticism subjugated literary studies from 1940s to 1960s. Before the birth of New Criticism, Pre-Critical theory was the major tool to examine a literary work. At that time aesthetic beauty and biographical-historical background were considered important to interpret a text which was not enough but as New Criticism emerged text was considered as important factor to be criticized. Previously writer were given more priority but in New Criticism text bore significance.
Some characteristics of New Criticism are:
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